# Slow Harmonic Pad complete settings [Back to the build](BUILD_GUIDE.md) Use Operator followed by Chorus-Ensemble. All four oscillators are On and mix directly into the output. ## Instrument global settings Operator has ten voices, global Retrig Off, interpolation and antialias On. The global matrix has velocity, aftertouch and mod-wheel connections Off, Key → Time at 0%, and Pitch Bend → Pitch at +2 st. ## Oscillator controls outside the parameter tables For each active oscillator, select **User** waveform, **64 harmonics**, **Repeat Off**, and turn **Normalize Off** in the harmonic editor’s context menu. Start with every partial cleared. Click **Oscillator** in the central display to draw the harmonic bars; click **Envelope** to adjust its shape. Each bar is one partial: bar 1 is the fundamental, bar 2 is twice its frequency, and so on. Use the partial-level readout while drawing; the values below are in dB relative to a full-height bar, not oscillator output levels. Set **Fixed Off**, frequency quantization **On**, oscillator retrigger **Off**, Phase **0%**, Feedback **0%**, frequency/velocity modulation **0**, and level/key scaling **0%**. Leave oscillator pitch-envelope and LFO destination switches On; the global pitch envelope remains Off, and the LFO’s pitch amount will be zero. Use envelope Initial and End **−∞ dB**, Peak and Sustain **0 dB**, Decay **500 ms**, Loop **None**, and time/release velocity scaling **0%**. Set the amplitude envelope slopes to **Attack 0%, Decay 100%, Release 0%**: the attack and release segments should be straight. Peak and sustain are equal, so the decay segment stays flat. ## Operator parameters | Parameter | Displayed value | |---|---| | Device On | On | | Algorithm | Alg. 11 | | Transpose | -14 st | | PB Range | +2 st | | Volume | -33 dB | | Panorama | C | | Pan < Key | 0 | | Pan < Rnd | 0 | | Tone | 100 % | | Spread | 0 % | | Glide On | Off | | Glide Time | 50.0 ms | | Osc-A On | On | | A Coarse | 9 | | A Fine | 0 | | A Freq