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Tempo & timing / Free producer tool

BPM, delay and reverb calculator

Calculate straight, dotted and triplet note times, delay rates, reverb pre-delay and tempo-related decay references.

Live calculator

Set the tempo

All values below update from the same unrounded calculation.

Enter a value from 20 to 400 BPM.

Tap at least twice

Showing timings for 120 BPM.

Exact tempo relationships

Note timings

Milliseconds · seconds · hertz

NoteStraightDottedTriplet
1/1Whole note
2000 ms2 s · 0.5 Hz
3000 ms3 s · 0.333 Hz
1333.333 ms1.333 s · 0.75 Hz
1/2Half note
1000 ms1 s · 1 Hz
1500 ms1.5 s · 0.667 Hz
666.667 ms0.667 s · 1.5 Hz
1/4Quarter note
500 ms0.5 s · 2 Hz
750 ms0.75 s · 1.333 Hz
333.333 ms0.333 s · 3 Hz
1/8Eighth note
250 ms0.25 s · 4 Hz
375 ms0.375 s · 2.667 Hz
166.667 ms0.167 s · 6 Hz
1/16Sixteenth note
125 ms0.125 s · 8 Hz
187.5 ms0.188 s · 5.333 Hz
83.333 ms0.083 s · 12 Hz
1/32Thirty-second note
62.5 ms0.063 s · 16 Hz
93.75 ms0.094 s · 10.667 Hz
41.667 ms0.042 s · 24 Hz
1/64Sixty-fourth note
31.25 ms0.031 s · 32 Hz
46.875 ms0.047 s · 21.333 Hz
20.833 ms0.021 s · 48 Hz

Listening guide

Delay starting points

These descriptions are practical starting points, not rules. Very short values can shift from a distinct echo toward comb filtering or colour.

  • Quarter note

    Spacious, clearly separated repeats.

    500 ms0.5 s · 2 Hz
  • Eighth note

    Tighter rhythmic repeats.

    250 ms0.25 s · 4 Hz
  • Dotted eighth

    Syncopated repeats that cross the beat.

    375 ms0.375 s · 2.667 Hz
  • Sixteenth note

    Fast rhythmic texture or thickening.

    125 ms0.125 s · 8 Hz

Timing references

Reverb pre-delay and decay

Pre-delay separates the dry sound from the reverb onset. Decay is the time the tail takes to fade; tempo-related values are references, not inherently ideal settings.

Pre-delay references

  • 1/64
    31.25 ms0.031 s · 32 Hz
  • 1/32
    62.5 ms0.063 s · 16 Hz
  • triplet 1/16
    83.333 ms0.083 s · 12 Hz
  • 1/16
    125 ms0.125 s · 8 Hz
  • triplet 1/8
    166.667 ms0.167 s · 6 Hz

Tempo-related decay references

Bar values assume 4/4 time.

  • Half a beat250 ms0.25 s
  • One beat500 ms0.5 s
  • Two beats1000 ms1 s
  • One bar2000 ms2 s
  • Two bars4000 ms4 s

How the timing calculation works

A quarter note lasts 60,000 ÷ BPM milliseconds. Other straight note values are divisions or multiples of that beat: an eighth note is half a beat, while a whole note is four beats.

A dotted note lasts one and a half times its straight value. A triplet note lasts two thirds of the matching straight value. The frequency result is the rate at which that duration repeats: 1,000 ÷ milliseconds hertz.

The calculator keeps full numeric precision for its calculations, then rounds the visible results to at most three decimal places. Copied values use the same readable rounding.

Reading delay values

A note-related delay repeats in a stable rhythmic relationship with the tempo. Longer values leave more space between the dry sound and each repeat. Shorter values can make a part feel denser; at very short settings, the ear may hear colour, resonance or comb filtering instead of separate echoes.

Straight, dotted and triplet timings create different placements. A dotted eighth lasts longer than a straight eighth and pushes repeats across the beat. An eighth-note triplet is shorter and places three equal durations in the space normally occupied by two straight eighth notes.

Reading reverb values

Pre-delay is the gap between the dry sound and the audible start of the reverb. A short pre-delay tends to join the source and room together. A longer pre-delay can preserve the source attack before the tail blooms.

Decay time describes the reverb tail rather than the initial gap. A decay of one beat or one bar is an exact tempo relationship, but it is only a reference. The useful setting also depends on the source envelope, arrangement density, reverb model and how prominent the tail should feel.

Assumptions and common mistakes

  • Bar references assume four quarter-note beats per bar.
  • Hertz describes the repetition rate of a timing value; it is not the pitch of the delayed sound.
  • Millisecond displays are rounded after calculation. Small display differences between devices can come from different rounding policies.
  • A tempo-related value is not automatically the best-sounding value. Move away from the reference when the sound needs a looser, tighter or less obviously rhythmic tail.
  • Delay and reverb devices may offer synced note divisions directly. Use milliseconds when a device is in free-time mode or when you want to compare the exact duration.