Tools / Ableton Live / Sound design
Ableton Live sound design tutorials & music production tools
Practical calculators and step-by-step Ableton Live sound-design tutorials.
161 / Sub Bass / Drift
Build Willow Arc, a deep mono sub bass in Ableton Drift. A triangle adds definition, an octave-down sine supplies weight, and a 151 Hz low-pass filter plus Soft Sine saturation keeps the sound deep but audible.
4 stepsDriftSub BassDeep Sub BassMono BassSaturatorUtility
Read tutorial157 / Plucked String / Tension
Umber Grove is a plucked string sound made with Tension, Saturator, Reverb and Utility. Exciter Type: Plectrum; Exc Stiffness: 38 %; String Decay: 45 %.
5 stepsTensionPlucked StringSaturatorReverbUtility
Read tutorial145 / Bass / Drift
Sorrel Hollow is a bass sound made with Drift, Saturator and Utility. LP Freq: 244 Hz; Env 1 Attack: 6.80 ms; Env 1 Release: 203 ms.
4 stepsDriftBassSaturatorUtility
Read tutorial143 / Brass / Analog
Solar Brass is a brass sound made with Analog, Chorus-Ensemble, Reverb and Utility. F1 Freq: 950 Hz; AEG1 Attack: 35 ms.
5 stepsAnalogBrassChorus-EnsembleReverbUtility
Read tutorial142 / Synth Keys / Analog
Smoke Veil is a synth keyboard sound made with Analog, Chorus-Ensemble, Reverb and Utility. F1 Freq: 868 Hz; AEG1 Attack: 5 ms.
5 stepsAnalogSynth KeysChorus-EnsembleReverbUtility
Read tutorial138 / Filtered Pad / Wavetable
Slate Cove is a filtered pad sound made with Wavetable, Chorus-Ensemble, Reverb and Utility. Flt 1 Freq: 839 Hz; Amp Attack: 660 ms; Amp Release: 1.87 s.
5 stepsWavetableFiltered PadChorus-EnsembleReverbUtility
Read tutorial119 / Strings / Wavetable
Ribbon Ensemble is a string sound made with Wavetable, Chorus-Ensemble, Reverb and Utility. Flt 1 Freq: 4.20 kHz; Amp Attack: 450 ms; Amp Release: 1.80 s.
5 stepsWavetableStringsChorus-EnsembleReverbUtility
Read tutorial118 / Organ / Operator
Reedlight Organ is an organ sound made with Operator, Chorus-Ensemble, Reverb and Utility. Algorithm: Alg. 11; Filter Freq: 5.60 kHz; Ae Decay: 800 ms.
5 stepsOperatorOrganChorus-EnsembleReverbUtility
Read tutorial116 / Electric Keys / Electric
Quartz Trail is an electric keyboard sound made with Electric, Saturator, Reverb and Utility. Pickup Model: R; M Stiffness: 28 %; F Tine Vol: 33 %.
5 stepsElectricElectric KeysSaturatorReverbUtility
Read tutorial115 / Evolving Synth / Meld
Quartz Ripple is an evolving synth sound made with Meld, Delay, Reverb and Utility. A Osc Type: Swarm Triangle (♭♯); A Filter Freq: 1.72 kHz; A Amp Attack: 1.03 s.
5 stepsMeldEvolving SynthDelayReverbUtility
Read tutorial112 / Mallet Keys / Collision
Porcelain Steps is a mallet keyboard sound made with Collision, Reverb and Utility. Res 1 Type: Marimba; Res 1 Decay: 1.50 s; Mallet Stiffness: 38 %.
4 stepsCollisionMallet KeysReverbUtility
Read tutorial106 / Pad / Meld
Build Polar Beacon, an airy animated Meld pad. Pronounced Swarm motion and a bright filter support a soft triangle body, while a slower octave layer, moving stereo echoes and reverb create a distant beacon-like bloom.
5 stepsMeldAiry PadSwarm TriangleStereo DelayReverbUtility
Read tutorial103 / Bass / Analog
Pewter Loom is a bass sound made with Analog, Saturator and Utility. F1 Freq: 455 Hz; AEG1 Attack: 5 ms.
4 stepsAnalogBassSaturatorUtility
Read tutorial101 / Bass / Analog
Pearl Well is a bass sound made with Analog, Saturator and Utility. F1 Freq: 209 Hz; AEG1 Attack: 5 ms.
4 stepsAnalogBassSaturatorUtility
Read tutorial095 / Electric Keys / Electric
Ochre Tines is an electric keyboard sound made with Electric, Saturator, Reverb and Utility. Pickup Model: R; M Stiffness: 44 %; F Tine Vol: 48 %.
5 stepsElectricElectric KeysSaturatorReverbUtility
Read tutorial064 / Pad / Wavetable
Indigo Arc is a pad sound made with Wavetable, Chorus-Ensemble, Reverb and Utility. Flt 1 Freq: 1.61 kHz; Amp Attack: 1.18 s; Amp Release: 3.04 s.
5 stepsWavetablePadChorus-EnsembleReverbUtility
Read tutorial058 / Evolving Synth / Meld
Hazel Loom is an evolving synth sound made with Meld, Delay, Reverb and Utility. A Osc Type: Swarm Triangle (♭♯); A Filter Freq: 1.55 kHz; A Amp Attack: 1.03 s.
5 stepsMeldEvolving SynthDelayReverbUtility
Read tutorial053 / Snare / Operator
Flint Snap is a snare sound made with Operator, Saturator, Reverb and Utility. Algorithm: Alg. 11; Filter Freq: 160 Hz; Ae Decay: 110 ms.
5 stepsOperatorSnareSaturatorReverbUtility
Read tutorial044 / Kick / Operator
Build Ember Thump from a retriggered sine oscillator, shape its punch with a 42 ms pitch envelope, then add Analog Clip harmonics and mono output.
4 stepsKick synthesisPitched kickPitch envelopeSine oscillatorSaturatorMono drum
Read tutorial043 / Synth Keys / Analog
Dune Reach is a synth keyboard sound made with Analog, Chorus-Ensemble, Reverb and Utility. F1 Freq: 564 Hz; AEG1 Attack: 8 ms.
5 stepsAnalogSynth KeysChorus-EnsembleReverbUtility
Read tutorial040 / Plucked String / Tension
Coral Isle is a plucked string sound made with Tension, Saturator, Reverb and Utility. Exciter Type: Plectrum; Exc Stiffness: 30 %; String Decay: 65 %.
5 stepsTensionPlucked StringSaturatorReverbUtility
Read tutorial038 / Lead / Wavetable
Coral Crown is a lead sound made with Wavetable, Saturator, Delay and Utility. Flt 1 Freq: 772 Hz; Amp Attack: 4.40 ms; Amp Release: 186 ms.
5 stepsWavetableLeadSaturatorDelayUtility
Read tutorial036 / Bass / Analog
Copper Circuit is a bass sound made with Analog, Saturator and Utility. F1 Freq: 270 Hz; AEG1 Attack: 5 ms.
4 stepsAnalogBassSaturatorUtility
Read tutorial035 / Evolving Synth / Meld
Clover Prism is an evolving synth sound made with Meld, Delay, Reverb and Utility. A Osc Type: Swarm Triangle (♭♯); A Filter Freq: 1.72 kHz; A Amp Attack: 392 ms.
5 stepsMeldEvolving SynthDelayReverbUtility
Read tutorial031 / Pad / Meld
Build Cinder Orbit, a dark drifting Meld pad. A low-filtered triangle swarm swells beneath a quiet octave layer, while opposing voice spread, modulated echoes and reverb create slow stereo movement.
5 stepsMeldDark PadSwarm TriangleStereo DelayReverbUtility
Read tutorial022 / Synth Keys / Analog
Apricot Pulse is a synth keyboard sound made with Analog, Chorus-Ensemble, Reverb and Utility. F1 Freq: 950 Hz; AEG1 Attack: 5 ms.
5 stepsAnalogSynth KeysChorus-EnsembleReverbUtility
Read tutorial021 / Lead / Wavetable
Amber Lantern is a lead sound made with Wavetable, Saturator, Delay and Utility. Flt 1 Freq: 1.09 kHz; Amp Attack: 4.40 ms; Amp Release: 191 ms.
5 stepsWavetableLeadSaturatorDelayUtility
Read tutorial019 / Evolving Synth / Meld
Amber Crown is an evolving synth sound made with Meld, Delay, Reverb and Utility. A Osc Type: Swarm Triangle (♭♯); A Filter Freq: 2.07 kHz; A Amp Attack: 473 ms.
5 stepsMeldEvolving SynthDelayReverbUtility
Read tutorial018 / Percussion / Operator
Alder Well is a percussion sound made with Operator, Saturator, Reverb and Utility. Algorithm: Alg. 1; Filter Freq: 5.33 kHz; Ae Decay: 1.10 s.
5 stepsOperatorPercussionSaturatorReverbUtility
Read tutorial013 / Bass / Wavetable
Build Submerged Pulse Horn, a bass-weighted Wavetable synth horn. A sine sub anchors the low register while a narrow pulse, tuned upper harmonic, slow filter swell and wide dark room create its horn-like character.
4 stepsWavetable BassSynth HornPulse and SubFilter envelopeWide reverb
Read tutorial012 / Keys / Wavetable
Blend two saw waves and a sine sub, apply random modulation to filter cutoff and drive, then add Delay and Reverb.
4 stepsRandom modulationResonant filterDelay and reverb
Read tutorial011 / Pad / Wavetable
Build Swelling Pulse Pad from two Pulse PW oscillators, a long volume bloom and a separately timed filter opening, then add a soft stereo tail.
4 stepsAmbient padPulse wavesFilter swellClassic unisonStereo chorusFiltered delay
Read tutorial010 / Pad / Drift
Excite a resonant filter with noise in Drift, add upper and lower octave echoes with two Shifters, then surround the tone with Reverb.
4 stepsResonant noiseOctave delaysSlow envelopes
Read tutorial009 / Keys / Drift
Shape a Shark Tooth tone in Drift, blend in band-pass filtering, then add Redux texture and a spacious Reverb tail.
4 stepsPitch modulationBit reductionLong release
Read tutorial008 / Keys / Wavetable
Blend three pitched tones in Wavetable, shape the strike with a filter envelope, then add Saturator and Reverb.
4 stepsOctave layersFilter envelopeSaturation and reverb
Read tutorial007 / Bell / Wavetable
Tune three bell tones in Wavetable, soften them with a lowpass filter, then add Reverb, Auto Pan-Tremolo and Redux.
4 stepsTriangle wavesRoom reverbBit reduction
Read tutorial006 / Pad / Operator
Blend three saw waves in Operator, soften their filter contour, then add Chorus-Ensemble and a diffuse room tail.
4 stepsDetuned sawsSlow envelopesEnsemble and reverb
Read tutorial005 / Lead / Analog
Detune two pulse waves, shape their filter envelope, add saturation, then finish with flanging and Echo.
4 stepsPulse wavesResonant filterStereo effects
Read tutorial004 / Bass / Operator
Build Three Octave Bass as a monophonic saw-wave octave stack with slow beating, a driven filter contour and Analog Clip saturation.
3 stepsThree-oscillator bassOctave stackSaw oscillatorsFilter envelopeSaturation
Read tutorial003 / Pad / Operator
Draw a ringing high tone, layer lower partials with different envelopes, then add slow modulation and Chorus-Ensemble.
3 stepsCustom harmonicsSlow envelopesStereo chorus
Read tutorial002 / Bass / Operator
Build Hollow Pulse Bass by balancing a strong second harmonic against a quieter fundamental, then animate its fourth harmonic, filter and pitch.
6 stepsAdditive bassParallel oscillatorsHarmonic envelopeFilter envelopeMono bass
Read tutorial001 / Lead / Operator
Use four oscillators in Operator, add a downward pitch envelope, then apply chorus, delay and reverb.
10 stepsAdditive synthesisPitch envelopeStereo effects
Read tutorial