Step 01 / 5
Build the first oscillator and amplitude contour #
Choose oscillator 1’s waveform and tuning, then set its level and amplifier envelope. The waveform supplies the harmonic material; the amplifier attack, decay, sustain and release shape its loudness over a note. AEG1 means the amplifier 1 envelope; FEG1 means the filter 1 envelope.
Use Analog with the complete starting settings. Set the source and amplitude controls below; sections marked Off stay bypassed at this stage.
Signal flow: Analog → Chorus-Ensemble → Reverb → Utility. Begin with the instrument, then add each effect in its numbered step.
| Control | Value |
|---|---|
| Voices | 8 |
| Volume | -7.0 dB |
| OSC1 Shape | Rect |
| OSC1 PW | 32 % |
| OSC1 Level | -7.0 dB |
| OSC1 Balance | F1 |
| AMP1 On/Off | On |
| AMP1 Level | -6.0 dB |
| AMP2 On/Off | Off |
| AEG1 Attack | 5 ms |
| AEG1 Decay | 1.40 s |
| AEG1 Sustain | 0.15 |
| AEG1 Rel | 420 ms |
| AEG1 < Vel | 2.00 |
| Unison On/Off | Off |
| Press Dest A | Filter 1 Cutoff |
| Press Amt A | 10 % |
| OSC2 On/Off | Off |
| Noise On/Off | Off |
| F1 On/Off | Off |
| F2 On/Off | Off |
Sound after step 1 — WebM/Opus
Next: Blend the oscillators and shape the filters →Step 02 / 5
Blend the oscillators and shape the filters #
Bring in the second oscillator at the listed tuning and level. Enable the filter sections shown below, then set cutoff, resonance and filter-envelope depth. The envelope moves the harmonic ceiling during each note; key tracking changes that ceiling across the keyboard.
Keep the first stage’s source and amplitude settings while making these changes. The complete instrument settings show the resulting tone before effects.
Analog’s F1 Freq and F2 Freq values are in hertz.
| Control | Value |
|---|---|
| OSC2 On/Off | On |
| OSC2 Shape | Sine |
| OSC2 Octave | 1 |
| OSC2 Level | -22 dB |
| OSC2 Balance | F1 |
| Noise On/Off | Off |
| F1 On/Off | On |
| F1 Type | Low-pass 24dB/oct |
| F1 Freq | 950 |
| F1 Resonance | 16 % |
| F1 Freq < Env | 2.30 |
| F1 Freq < Key | 0.70 |
| F1 To F2 | 0 % |
| F2 On/Off | Off |
| FEG1 Attack | 5 ms |
| FEG1 Decay | 320 ms |
| FEG1 Sustain | 0.08 |
| FEG1 Rel | 250 ms |
| LFO1 On/Off | Off |
Sound after step 2 — WebM/Opus
Next: Apply Chorus-Ensemble →Step 03 / 5
Apply Chorus-Ensemble #
Select the mode, then set Rate, Amount and Dry/Wet. Rate controls the speed of movement, Amount controls its depth and Width sets its stereo spread. The high-pass setting limits the low-frequency content entering the chorus.
| Control | Value |
|---|---|
| Mode | Chorus |
| Rate | 0.32 Hz |
| Amount | 12 % |
| Dry/Wet | 18 % |
| HP On | On |
| HP Freq | 180 Hz |
Place Chorus-Ensemble after Analog. The complete settings include its remaining controls.
Sound after step 3 — WebM/Opus
Next: Apply Reverb →Step 04 / 5
Apply Reverb #
Set decay, room size and Dry/Wet for the surrounding space. Predelay separates the direct attack from the room. Input filtering shapes what excites the reverb, while diffusion and high-frequency damping change the density and brightness of its tail.
| Control | Value |
|---|---|
| Predelay | 12.0 ms |
| In Lo Cut On | Off |
| In Hi Cut On | Off |
| Diff. Hi Freq | 4.50 kHz |
| HiShelf Gain | 0.60 |
| Density | High |
| Freeze On | Off |
| Decay Time | 1.80 s |
| Room Size | 62.00 |
| Dry/Wet | 17 % |
Place Reverb after Chorus-Ensemble. The complete settings include its remaining controls.
Sound after step 4 — WebM/Opus
Next: Apply Utility →Step 05 / 5
Apply Utility #
Set gain and width at the end of the chain. Set Utility’s Gain knob to the Output value in the table. Width changes the balance between center and side information; Mono combines the channels. Bass Mono narrows only the low frequencies below its cutoff. Keep DC Filter and phase-inversion switches at the listed values.
| Control | Value |
|---|---|
| Output | 4.80 dB |
| DC Filter | On |
Place Utility after Reverb. The complete settings include its remaining controls.
Sound after step 5 — WebM/Opus
Audio & settings ↓