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  1. Falling Spectral Lead

    Operator · Lead

  2. Falling Spectral Lead — Step 1: Start with Operator

    Operator · Lead

  3. Falling Spectral Lead — Step 2: Layer the four oscillators

    Operator · Lead

  4. Falling Spectral Lead — Step 3: Shape the amplitude envelopes

    Operator · Lead

  5. Falling Spectral Lead — Step 4: Add the downward pitch movement

    Operator · Lead

  6. Falling Spectral Lead — Step 5: Set the filter and global controls

    Operator · Lead

  7. Falling Spectral Lead — Step 6: Add Chorus-Ensemble

    Operator · Lead

  8. Falling Spectral Lead — Step 7: Add the stereo echoes

    Operator · Lead

  9. Falling Spectral Lead — Step 8: Add the diffuse reverb

    Operator · Lead

  10. Falling Spectral Lead — Step 9: Set the final width and gain

    Operator · Lead

  11. Falling Spectral Lead — Step 10: Explore the finished sound

    Operator · Lead

  12. Falling Spectral Lead — Complete device settings

    Operator · Lead

  13. Falling Spectral Lead — Operator starting settings

    Operator · Lead

  14. Hollow Pulse Bass

    Operator · Bass

  15. Hollow Pulse Bass — Step 1: Make the rounded bass body

    Operator · Bass

  16. Hollow Pulse Bass — Step 2: Give the body a bright edge

    Operator · Bass

  17. Hollow Pulse Bass — Step 3: Add the hollow harmonic balance

    Operator · Bass

  18. Hollow Pulse Bass — Step 4: Swell the fourth harmonic

    Operator · Bass

  19. Hollow Pulse Bass — Step 5: Close the filter over the note

    Operator · Bass

  20. Hollow Pulse Bass — Step 6: Add a small tuning drift and set the output

    Operator · Bass

  21. Hollow Pulse Bass — Complete device settings

    Operator · Bass

  22. Hollow Pulse Bass — Operator starting settings

    Operator · Bass

  23. Slow Harmonic Pad

    Operator · Pad

  24. Slow Harmonic Pad — Step 1: Draw the high ringing tone

    Operator · Pad

  25. Slow Harmonic Pad — Step 2: Add the lower harmonic layers

    Operator · Pad

  26. Slow Harmonic Pad — Step 3: Add slow modulation and stereo chorus

    Operator · Pad

  27. Slow Harmonic Pad — Complete device settings

    Operator · Pad

  28. Slow Harmonic Pad — Operator starting settings

    Operator · Pad

  29. Three Octave Bass

    Operator · Bass

  30. Three Octave Bass — Step 1: Stack three saw waves

    Operator · Bass

  31. Three Octave Bass — Step 2: Close the filter after the attack

    Operator · Bass

  32. Three Octave Bass — Step 3: Add saturation and play the bass

    Operator · Bass

  33. Three Octave Bass — Complete device settings

    Operator · Bass

  34. Three Octave Bass — Operator starting settings

    Operator · Bass

  35. Resonant Pulse Lead

    Analog · Lead

  36. Resonant Pulse Lead — Step 1: Combine two pulse waves

    Analog · Lead

  37. Resonant Pulse Lead — Step 2: Add the resonant filter contour

    Analog · Lead

  38. Resonant Pulse Lead — Step 3: Drive the sound into Saturator

    Analog · Lead

  39. Resonant Pulse Lead — Step 4: Add slow flanging and echoes

    Analog · Lead

  40. Resonant Pulse Lead — Complete device settings

    Analog · Lead

  41. Resonant Pulse Lead — Analog starting settings

    Analog · Lead

  42. Detuned Room Pad

    Operator · Pad

  43. Detuned Room Pad — Step 1: Blend three detuned saw waves

    Operator · Pad

  44. Detuned Room Pad — Step 2: Soften the saws with a filter contour

    Operator · Pad

  45. Detuned Room Pad — Step 3: Spread the sound with ensemble modulation

    Operator · Pad

  46. Detuned Room Pad — Step 4: Add the room tail

    Operator · Pad

  47. Detuned Room Pad — Complete device settings

    Operator · Pad

  48. Detuned Room Pad — Operator starting settings

    Operator · Pad

  49. Lo-Fi Bell

    Wavetable · Bell

  50. Lo-Fi Bell — Step 1: Tune the three bell tones

    Wavetable · Bell

  51. Lo-Fi Bell — Step 2: Round the sound with a low-pass filter

    Wavetable · Bell

  52. Lo-Fi Bell — Step 3: Surround the bell with a room

    Wavetable · Bell

  53. Lo-Fi Bell — Step 4: Add stereo motion and digital texture

    Wavetable · Bell

  54. Lo-Fi Bell — Complete device settings

    Wavetable · Bell

  55. Lo-Fi Bell — Wavetable starting settings

    Wavetable · Bell

  56. Hammered Room Keys

    Wavetable · Keys

  57. Hammered Room Keys — Step 1: Shape the three pitched tones

    Wavetable · Keys

  58. Hammered Room Keys — Step 2: Close the filter after the strike

    Wavetable · Keys

  59. Hammered Room Keys — Step 3: Thicken the strike with Saturator

    Wavetable · Keys

  60. Hammered Room Keys — Step 4: Add a spacious, dark tail

    Wavetable · Keys

  61. Hammered Room Keys — Complete device settings

    Wavetable · Keys

  62. Hammered Room Keys — Wavetable starting settings

    Wavetable · Keys

  63. Faded Circuit Keys

    Drift · Keys

  64. Faded Circuit Keys — Step 1: Shape the sustained tone and its pitch movement

    Drift · Keys

  65. Faded Circuit Keys — Step 2: Blend in a narrower band of tone

    Drift · Keys

  66. Faded Circuit Keys — Step 3: Add a restrained digital edge

    Drift · Keys

  67. Faded Circuit Keys — Step 4: Let the tone dissolve into a room

    Drift · Keys

  68. Faded Circuit Keys — Complete device settings

    Drift · Keys

  69. Faded Circuit Keys — Drift starting settings

    Drift · Keys

  70. Resonant Octave Mist

    Drift · Pad

  71. Resonant Octave Mist — Step 1: Make a singing filter in Drift

    Drift · Pad

  72. Resonant Octave Mist — Step 2: Add a quiet upper-octave echo

    Drift · Pad

  73. Resonant Octave Mist — Step 3: Add a lower-octave echo

    Drift · Pad

  74. Resonant Octave Mist — Step 4: Surround the tone with a dark room

    Drift · Pad

  75. Resonant Octave Mist — Complete device settings

    Drift · Pad

  76. Resonant Octave Mist — Drift starting settings

    Drift · Pad

  77. Swelling Pulse Pad

    Wavetable · Pad

  78. Swelling Pulse Pad — Step 1: Shape the pulse-wave body

    Wavetable · Pad

  79. Swelling Pulse Pad — Step 2: Add slow chorus movement

    Wavetable · Pad

  80. Swelling Pulse Pad — Step 3: Balance the lower harmonics

    Wavetable · Pad

  81. Swelling Pulse Pad — Step 4: Add a short, filtered stereo tail

    Wavetable · Pad

  82. Swelling Pulse Pad — Complete device settings

    Wavetable · Pad

  83. Swelling Pulse Pad — Wavetable starting settings

    Wavetable · Pad

  84. Random Filter Keys

    Wavetable · Keys

  85. Random Filter Keys — Step 1: Shape the two-octave saw body

    Wavetable · Keys

  86. Random Filter Keys — Step 2: Make the filter jump between random values

    Wavetable · Keys

  87. Random Filter Keys — Step 3: Add separated stereo echoes

    Wavetable · Keys

  88. Random Filter Keys — Step 4: Add a quiet, dark room tail

    Wavetable · Keys

  89. Random Filter Keys — Complete device settings

    Wavetable · Keys

  90. Random Filter Keys — Wavetable starting settings

    Wavetable · Keys

  91. Submerged Pulse Horn

    Wavetable · Bass

  92. Submerged Pulse Horn — Step 1: Balance the sub, pulse and upper harmonic

    Wavetable · Bass

  93. Submerged Pulse Horn — Step 2: Add a gentle filter contour

    Wavetable · Bass

  94. Submerged Pulse Horn — Step 3: Round the tone with saturation

    Wavetable · Bass

  95. Submerged Pulse Horn — Step 4: Add the dark room and stereo width

    Wavetable · Bass

  96. Submerged Pulse Horn — Complete device settings

    Wavetable · Bass

  97. Submerged Pulse Horn — Wavetable starting settings

    Wavetable · Bass