Step 01 / 5
Choose the first wavetable and amplitude contour #
Choose oscillator 1’s wavetable, position and tuning. Set the amplifier envelope and voicing from the starting settings. Wavetable position chooses the harmonic shape; the amplitude envelope controls how the sound arrives and fades.
Use Wavetable with the complete starting settings. Set the source and amplitude controls below; sections marked Off stay bypassed at this stage.
Signal flow: Wavetable → Chorus-Ensemble → Reverb → Utility. Begin with the instrument, then add each effect in its numbered step.
| Control | Value |
|---|---|
| Osc 1 On | On |
| Osc 1 Pos | 66 % |
| Osc 1 Gain | -13 dB |
| Amp Attack | 272 ms |
| Amp Decay | 2.72 s |
| Amp Sustain | -1.0 dB |
| Amp Release | 1.35 s |
| Unison Amount | 15 % |
| Volume | -8.0 dB |
| Osc 2 On | Off |
| Sub On | Off |
| Flt 1 On | Off |
| Flt 2 On | Off |
Voicing and modulation #
Choose the waveform and voicing controls below. In the Matrix and MIDI tabs, set the listed routes; leave unlisted routes at zero. The modulation amounts are the values shown in the matrix. Poly voices apply in Poly mode.
| Control | Value |
|---|---|
| Oscillator 1 category | Basics |
| Oscillator 1 wavetable | Basic Shapes |
| Oscillator 1 effect mode | None |
| Oscillator 2 category | Basics |
| Oscillator 2 wavetable | Pulse PW |
| Oscillator 2 effect mode | None |
| Voicing | Poly |
| Poly voices | 8 |
| Unison mode | Classic |
| Unison voices | 5 |
| Filter routing | Serial |
| Velocity → Volume | 45 |
| Pitch Bend → Transpose | 2 st |
| Env 2 → Flt 1 Freq | 10 |
| Note → Flt 1 Freq | 15 |
| Mod Wheel → Flt 1 Freq | 12 |
| LFO 1 → Osc 2 Pos | 6 |
Use the voicing and modulation settings for the oscillator choices, voice mode and modulation routes.
Sound after step 1 — WebM/Opus
Next: Layer the oscillators and animate the filters →Step 02 / 5
Layer the oscillators and animate the filters #
Enable the additional sources and filters using the states below. Balance oscillator 2 against oscillator 1, then set the filter types, cutoff and resonance. Apply the listed envelope and LFO routes in the instrument’s Matrix and MIDI tabs; unlisted routes stay at zero.
Keep the first stage’s source and amplitude settings while making these changes. The complete instrument settings show the resulting tone before effects.
| Control | Value |
|---|---|
| Osc 2 On | On |
| Osc 2 Pos | 45 % |
| Osc 2 Gain | -16 dB |
| Osc 2 Detune | 7 ct |
| Sub On | Off |
| Flt 1 Type | Lowpass |
| Flt 1 Slope | 12 |
| Flt 1 Freq | 3.41 kHz |
| Flt 1 Res | 8.0 % |
| Flt 2 On | On |
| Flt 2 Type | Highpass |
| Flt 2 Freq | 110 Hz |
| Env 2 Attack | 1.50 s |
| Env 2 Decay | 2.80 s |
| Env 2 Sustain | 85 % |
| Env 2 Release | 2.00 s |
| LFO 1 Rate | 0.12 Hz |
| LFO 1 Retrigger | Off |
| LFO 1 Sync | Free |
| Flt 1 On | On |
Sound after step 2 — WebM/Opus
Next: Apply Chorus-Ensemble →Step 03 / 5
Apply Chorus-Ensemble #
Select the mode, then set Rate, Amount and Dry/Wet. Rate controls the speed of movement, Amount controls its depth and Width sets its stereo spread. The high-pass setting limits the low-frequency content entering the chorus.
| Control | Value |
|---|---|
| Mode | Ensemble |
| Rate | 0.41 Hz |
| Amount | 25 % |
| Dry/Wet | 30 % |
| Warmth | 15 % |
| HP On | On |
| HP Freq | 220 Hz |
| Width | 110 % |
Place Chorus-Ensemble after Wavetable. The complete settings include its remaining controls.
Sound after step 3 — WebM/Opus
Next: Apply Reverb →Step 04 / 5
Apply Reverb #
Set decay, room size and Dry/Wet for the surrounding space. Predelay separates the direct attack from the room. Input filtering shapes what excites the reverb, while diffusion and high-frequency damping change the density and brightness of its tail.
| Control | Value |
|---|---|
| Predelay | 22.0 ms |
| In Lo Cut On | Off |
| In Hi Cut On | Off |
| Diff. Hi Freq | 3.50 kHz |
| HiShelf Gain | 0.60 |
| Density | High |
| Freeze On | Off |
| Decay Time | 2.48 s |
| Room Size | 85.00 |
| Dry/Wet | 24 % |
Place Reverb after Chorus-Ensemble. The complete settings include its remaining controls.
Sound after step 4 — WebM/Opus
Next: Apply Utility →Step 05 / 5
Apply Utility #
Set gain and width at the end of the chain. Set Utility’s Gain knob to the Output value in the table. Width changes the balance between center and side information; Mono combines the channels. Bass Mono narrows only the low frequencies below its cutoff. Keep DC Filter and phase-inversion switches at the listed values.
| Control | Value |
|---|---|
| Output | 2.43 dB |
| DC Filter | On |
| Bass Mono | On |
| Bass Freq | 180 Hz |
Place Utility after Reverb. The complete settings include its remaining controls.
Sound after step 5 — WebM/Opus
Audio & settings ↓